課程資訊
課程名稱
 街頭藝術
Street Art 
開課學期
 111-2 
授課對象
 工學院  建築與城鄉研究所  
授課教師
 畢恆達 
課號
 BP7087 
課程識別碼
 544 M3810 
班次
  
學分
 3.0 
全/半年
 半年 
必/選修
 選修 
上課時間
 星期一A,B,C(18:25~21:05) 
上課地點
 工綜313 
備註
 總人數上限：30人
外系人數限制：11人 
  
課程簡介影片
 
核心能力關聯
 本課程尚未建立核心能力關連
課程大綱
為確保您我的權利,請尊重智慧財產權及不得非法影印
課程概述

第1週 2/20 課程簡介：塗鴉總論
第2週 2/27 放假
第3週 3/6 大眾塗鴉（案例：史前藝術）（案例：美國流浪塗鴉）
第4週 3/13 紐約地下鐵塗鴉（案例：Keith Haring, Basquiat）（案例：塗鴉與嘻哈文化）
第5週 3/20 從塗鴉到街頭藝術（案例：Banksy）（案例：德國柏林圍牆）
第6週 3/27 臺灣街頭塗鴉文化（案例：BBrother）（案例：香港連儂牆）
第7週 4/3 春假
第8週 4/10 文化惡搞／干擾（案例：土耳其彩虹階梯）（案例：巴西pixacao）
第9週 4/17 塗鴉客：烏有
第10週 4/24 塗鴉的社會心理（心理學）（案例：香港九龍皇帝）
第11週 5/1 塗鴉與性別（案例：編織塗鴉）（案例：綠色塗鴉、反向塗鴉）
第12週 5/8 塗鴉與犯罪（犯罪學、都市治理）（案例：洛杉磯幫派塗鴉）（案例：日本遊民紙箱塗鴉）
第13週 5/15 塗鴉與藝術、商業、社群/社區認同（社會工作）（案例：RIP 紀念壁畫）
第14週 5/22 塗鴉與網路（傳播）（案例：廈門大學芙蓉隧道塗鴉）
第15週 5/29 學生期末報告一（塗鴉研究或塗鴉實作）
第16週 6/5 學生期末報告二（塗鴉研究或塗鴉實作）
 

課程目標
 塗鴉與街頭藝術（graffiti and street art）是一個很適合跨領域研究的課題，除了文化研究、犯罪學、藝術之外，心理學、社會工作、性別、傳播、網路等學科也可以從不同的取徑提出見解。課程的目的，希望同學能夠超越簡單的喜歡或討厭塗鴉的感受，或者合法與非法的認定，而能更進一步理解從塗鴉到街頭藝術的歷史過程，站在一片塗鴉牆前可以分辨每一則塗鴉的類別，將塗鴉置放在都市治理與公共藝術的脈絡裡來理解，並且學習從不同學科領域的角度來分析。 
課程要求
 本課程採第三類，在第三週人工加簽。加簽人數決定於教室內有多少個空位。
想要加簽的同學，請先寄email給我，我先將你加成旁聽生。也請在第一次上課前，先繳交一個課前心得作業。

2/20第一次上課前，先繳交一份心得，描述你對於塗鴉／街頭藝術的看法、成長過程中印象深刻的塗鴉、自己是否有過塗鴉的經驗。心得無所謂對錯，沒有所謂政治正確，請如實描述撰寫。
個人每週繳交上課的心得。三、四人組成一個小組，在課堂上報告一個案例（綜合既有文獻）、一個期末報告（自己的經驗研究）。

期末報告
可以研究人、地、事等。
人：塗鴉客（塗鴉生涯、文化、認知、技法）、社會大眾（對塗鴉態度認知；例如某則塗鴉新聞／貼文底下的留言）、執法者
地：如西門町、某廢墟、地下道、合法塗鴉區
事：某塗鴉競賽、塗鴉教學／訓練班、塗鴉節
議題：中文（漢字）字體的街頭塗鴉、塗鴉與性別、外來塗鴉客與本地文化之協商衝突
次級文本：不能只是匯集資料，要有創新獨到的見解
塗鴉行動：分析某地的歷史地理空間脈絡，實現一個塗鴉行動
臺灣街頭塗鴉mapping
無性別廁所中塗鴉的性別意涵（廁所塗鴉的行動研究）
拍一部公館地區（或其他地方）的塗鴉紀錄片（10-15分鐘）訪問過路人的看法，訪談執法的警察，訪談被塗鴉的商家老闆，訪談塗鴉客塗鴉歷程
 
預期每週課後學習時數
  
Office Hours
  
指定閱讀
 畢恆達（2011）《塗鴉鬼飛踢》。遠流。
Waclawek, A. (2011). Graffiti and street art. Thames & Hudson. （2015，塗鴉與街頭藝術。上海人民美术出版社。）
Avramidis, K., & Tsilimpounidi, M. (Eds.). (2017). Graffiti and street art: Reading, writing and representing the city. New York: Routledge.
Ross, J. I. (Ed.) (2015). Routledge handbook of graffiti and street art. Routledge.
 
參考書目
 塗鴉（百科全書條目）
Douglas, G. C. C. (2019). Urban art. In A. M. Orum (Ed.), The Wiley Blackwell encyclopedia of urban and regional studies. Wiley.
Ferrell, J. (2013). Graffiti. In J. I. Ross (Ed.), Encyclopedia of street crime in America (pp. 180-182). Sage.
Ralph, J. (2014). Graffiti archaeology. In C. Smith (Ed.), Encyclopedia of global archaeology (pp. 3102-3107). Springer.
Tsilimpounidi, M., & Avramidis, K. (2021). Graffiti and street art. In M. Baker, B. B. Blaagaard, H. Jones, & L. Pérez-González (Eds.), The Routledge encyclopedia of citizen media. Routledge.
Zieleniec, A. (2017). Graffiti. In H. N. Pontell (Ed.), Oxford research encyclopedia of criminology and criminal justice. Oxford University Press.

大眾塗鴉
Abel, E. L., & Buckley, B. E. (1977). The handwriting on the wall: Toward a sociology and psychology of graffiti. Westport, CT: Greenwood Press.
Albin, A., & Kamler, J. (2008). Written on the city: Graffiti messages worldwide. Cincinnati, OH: How Books.
Anderson, S. J., & Verplanck, W. S. (1983). When wall speak, what do they say? The Psychological Record, 33, 341-359.
Brassai. (1960). Graffiti. Beiser: Stuttgart.
Chandès, H. (Ed.). (2009). Born in the streets: Graffiti. New York: Thames & Hudson.
D'Angelo, F. J. (1976). Fools' names and fools' faces are always seen in public places: A study of graffiti. Journal of Popular Culture, 10(1), 102-109.
Feiner, J., & Klein, S. M. (1982). Graffiti talks. Social Policy, 12, 47-53.
Gadsby, J. (1995). Looking at the writing on the wall: A critical review and taxonomy of graffiti texts [Electronic Version]. Retrieved 2007.05.26 from http://www.graffiti.org/faq/critical.review.html.
Ganthier, L. (1998). Writing on the run: The history and transformation of street graffiti in Montreal in the 1990s. Unpublished doctoral dissertation, Graduate Faculty of Political and Social Science, New School for Social Research.
Gonos, G., Mulkern, V., & Poushinsky, N. (1976). Anonymous expression: Structural view of graffiti. Journal of American Folklore, 89, 40-48.
Hagopian. (1987). Reading the undecipherable: Graffiti and hegemony. Polygraph, 1, 105-111.
Kilroy, R. (1979). Graffiti: The scrawl of the wild. London: Corgi Books.
Lomas, H. D. (1963). Graffiti: Some observations and speculations. Psychoanalytic Review, 60(1), 71-89.
Mailer, N. (1974). The faith of graffiti. New York: Praeger.
McDonald, F. (2013). The popular history of graffiti: From the ancient world to the present. New York: Skyhorse.
Merrill, S. (2015). Keeping it real? Subcultural graffiti, street art, heritage and authenticity. International Journal of Heritage Studies, 21(4), 369-389. doi:10.1080/13527258.2014.934902
Merrill, S. O. C. (2011). Graffiti at heritage places: Vandalism as cultural significance or conservation sacrilege? Time and Mind: The Journal of Archaeology, Consciousness and Culture, 4(1), 59-75.
Milnor, K. (2014). Graffiti and the literary landscape in Roman Pompeii. New York: Oxford University Press.
Naar, J. (2007). The birth of graffiti. New York: Prestel.
Ragazzoli, C., Harmansah, Ö., Salvador, C., & Frood, E. (Eds.). (2018). Scribbling through history: Graffiti, places and people from antiquity to modernity. Bloomsbury Academic.
Reisner, R. (1971). Graffiti: Two thousand years of wall writing. Chicago: Cowles.
Reisner, R., & Wechsler, L. (1974). Encyclopedia of graffiti. New York: Macmillan.
Reynolds, R. (1975). Magic symbols: A photographic study of graffiti. Portland, OR: Graphic Arts Center.
Schwartz, M. J., & Dovidio, J. F. (1984). Reading between the lines: Personality correlates of graffiti writing. Perceptual and Motor Skills, 59, 395-398.
Smith, M. (1986). Walls have ears: A contextual approach to graffiti. International Folklore Review, 4, 100-105.
Stern, K. B. (2018). Writing on the wall: Graffiti and the forgotten Jews of antiquity. Princeton University Press.
Stocker, T. L., Dutcher, L. W., Hargrove, S. M., & Cook, E. A. (1972). Social analysis of graffiti. Journal of American Folklore, 85(338), 356-366.
Tickell, T. W. (1971). A child's garden of graffiti (originally it was drawings scratched on walls). New York: Random House.
Walsh, M. (1996). Graffito. Berkeley, CA: North Atlantic Books.
Witten, A., & White, M. (2001). Dondi White style master general: The life of graffiti artist Dondi White. New York: Harper Collins.
路瀅瀛（1996）塗鴉有理：公車立可白文化。Best生涯智謀，180，113-115。
畢恆達（2011）《塗鴉鬼飛踢》。遠流。
陳弘儒（1995）公廁塗鴉的言辭行動分析。中正大學電訊傳播研究所碩士論文。
邱啟新（2001）發現塗鴉：公共塗鴉的空間與文化意涵研究。台灣大學建築與城鄉研究所碩士論文。
林泰振（2004）「青少年流行文化塗鴉行為之分析」質的研究：以南部某國中學生書包塗鴉為例。彰化師範大學美術學系在職進修專班碩士論文。

史前壁畫／古代塗鴉／岩畫
Baird, J. A., & Taylor, C. (Eds.). (2011). Ancient graffiti in context. Routledge.
Baird, J. A., & Taylor, C. (2015). Ancient graffiti. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 17-26). Routledge.
Forster, A. M., Vettese‐Forster, S., & Borland, J. (2012). Evaluating the cultural significance of historic graffiti. Structural Survey, 30(1), 43-64. https://doi.org/doi.org/10.1108/02630801211226637
Johnston, A. (2013). Straight, crooked and joined-up writing: An early Mediterranean view. In K. E. Piquette & R. D. Whitehouse (Eds.), Writing as material practice: Substance, surface and medium (pp. 193-212). Ubiquity Press.
Keegan, P. (2014). Graffiti in antiquity. Routledge.
Kir’yak, M. A. (2015). The enigmatic world of ancient graffiti: Rock art in Chukotka, The Chaunskaya Region, Russia (R. L. Bland, Trans.). Archaeopress.
Levin-Richardson, S. (2013). Fututa sum hic: Female subjectivity and agency in Pompeian sexual graffiti. Classical Journal, 108(3), 319-345.
Lohmann, P. (2017). Private inscriptions in public places? The ambiguous nature of graffiti from Pompeian houses TRAC 2016 Proceedings of the Twenty-Sixth Theoretical Roman Archaeology Conference, Rome.
Lohmann, P. (2020). Historical graffiti: The state of the art. JEMS: Journal of Early Modern Studies, 9, 37-56. https://doi.org/dx.doi.org/10.13128/
Milnor, K. (2014). Graffiti and the literary landscape in Roman Pompeii. New York: Oxford University Press.
Moriggi, M., & Bucci, I. (2019). Aramaic graffiti from Hatra: A study based on the Archive of the Missione Archeologica Italiana. Brill.
Noreña, C., & Papazarkadas, N. (Eds.). (2019). From document to history: Epigraphic insights into the Greco-Roman world. Brill.
Ragazzoli, C., Harmansah, Ö., Salvador, C., & Frood, E. (Eds.). (2018). Scribbling through history: Graffiti, places and people from antiquity to modernity. Bloomsbury Academic.
Valente, R., & Barazzetti, L. (2020). Methods for ancient wall graffiti documentation: Overview and applications. Journal of Archaeological Science: Reports, 34. https://doi.org/doi.org/10.1016/j.jasrep.2020.102616
陳兆復（2015）《中國岩畫發現史》。上海人民出版社。

廁所塗鴉
Alexander, B. (1978). Male and female rest room graffiti. Maledicta, 2(1/2), 42-59.
Cole, C. M. (1991). "Oh wise women of the stalls...". Discourse and Society, 2(4), 401-411.
Dundes, A. (1966). Here I sit--A study of American latrinalia. Kroeber Anthropological Society Papers, 34, 91-105.
Ferem, M. (2006). Bathroom graffiti. New York: Mark Batty.
Fishman, J. M. (1995). Festivity and violence in the university: How men's bathroom graffiti responds to political correctness. Unpublished manuscript. Annenberg School for Communication, University of Pennsylvania.
Innala, S. M., & Ernulf, K. E. (1992). Understanding male homosexual attraction: An analysis of restroom graffiti. Journal of Social Behavior and Personality, 7(3), 503-510.
Kaplan, F. S. (1981). Privies, privacy, and political process: Some thoughts on bathroom graffiti and group identity. In H. Kellerman (Ed.), Group cohesion: Theoretical and clinical perspectives (pp. 393-410). New York: Grune & Stratton.
Leap, W. L. (1996). Claiming gay space: Bathroom graffiti, songs about cities, and "queer" reference. In Words OUT: Gay men's English (pp. 74-108). Minneapolis: University of Minnesota Press.
Leong, P. (2015). American graffiti: Deconstructing gendered communication patterns in bathroom stalls. Gender, Place & Culture: A Journal of Feminist Geography. doi: 10.1080/0966369X.2014.991705
Molloy, C. (2013). "Curiosity won't kill your cat": A meditation on bathroom graffiti as underlife public writing. Writing on the Edge, 24(1), 17-24.
Nwoye, O. G. (1993). Social issues on walls: Graffiti in university lavatories. Discourse & Society, 4(4), 419-442.
Otta, E. (1993). Graffiti in the 1990s: A study of inscriptions on restroom walls. The Journal of Social Psychology, 133(4), 589-590.
Otta, E., Santana, P. R., Lafraia, L. M., Hoshino, R. L., Teixeira, R. P., & Vallochi, S. L. (1996). Musa Latrinalis: Gender differences in restroom graffiti. Psychological Reports, 78, 871-880.
Reddy, R. (2011). The writings on the wall: Perspectives on South African bathroom graffiti. Unpublished master's thesis, University of KwaZulu Natal, South Africa.
Schreer, G. E., & Strichartz, J. M. (1997). Private restroom graffiti: An analysis of controversial social issues on two college campuses. Psychological Reports, 81(3), 1067-1074.
Shabbar, A. E. (2016). Queer bathroom graffiti matters: Agential realism and affective temporalities. Rhizomes: Cultural Studies in Emerging Knowledge, 30. https://doi.org/doi.org/10.20415/rhiz/030.e06
Trahan, A. (2015). Research and theory on latrinalia. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 92-102). Routledge.
Wang, D., Privitera, A. J., Jiange, Y., & Zaie, Z. (2019). What does bathroom graffiti reveal about young adults in China? Journal of Youth Studies. https://doi.org/10.1080/13676261.2019.1645947
Wolfe, J. (1996). Graffiti rules: Wise words from washroom wall. New York: Pinnacle Books.
Young, J. C. (2009). Restroom Politics: Voices in the Stalls. Lethbridge Undergraduate Research Journal, 4(2).

災害塗鴉
Alderman, D. H., & Ward, H. (2008). Writing on the plywood: Toward an analysis of hurricane graffiti. Coastal Management, 36(1), 1-18. doi:10.1080/08920750701641714
Hagen, C. A., Ender, M. G., Tiemann, K. A., & Hagen Jr., C. O. (2005). Graffiti on the great plains: A social reaction to the Red River Valley Flood of 1997. In K. J. Strand & G. L. Weiss (Eds.), Experiencing social research: A reader (pp. 181-196). Boston: Pearson.
胡哲豪、台邦．撒沙勒（2021）< 莫拉克災後原住民社區文化空間營造：以屏東三大永久屋基地為例>。《政策與人力管理》，10(1)，109-138。

流浪塗鴉 hobo
Lennon, J. F. (2015). Trains, railroad worders and illegal riders: The subcultural world of hobo graffiti. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 27-35). Routledge.

幫派塗鴉
Ferrell, J. (2007). Gang and non-gang graffiti. In L. Kontos & D. C. Brotherton (Eds.), Encyclopedia of gangs (pp. 56-59). Greenwood
Ley, D., & Cybriwsky, R. (1974). Urban graffiti as territorial markers. Annals of the Association of American Geographers, 64, 491-505.
Phillips, S. A. (2015). Deconstructing gang graffiti. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 48-60). Routledge.
Phillips, S. A. (2021). Gang graffiti as totemism. American Anthropologist, 123(2), 263-277. https://doi.org/10.1111/aman.13538

監獄塗鴉
Casella, E. C. (2009). Written on the walls: Inmate graffiti within places of confinement. In A. M. Beisaw & J. G. Gibb (Eds.), The archaeology of institutional life (pp. 172-186). University of Alabama Press.
Kindynis, T. (2022). Excavating ghosts: Urban exploration as graffiti archaeology. In M. Fiddler, T. Kindynis, & T. Linnemann (Eds.), Ghost criminology: The afterlife of crime and punishment (pp. 307-336). New York University Press.
Reed, K. (2019). “The prison, by God, where I have found myself”: Graffiti at Ellis Island Immigration Station, New York, c. 1900–1923. Journal of American Ethnic History, 38(3), 5-35. https://doi.org/10.5406/jamerethnhist.38.3.0005
Wilson, J. Z. (2008). Pecking orders: Power relationships and gender in Australian prison graffiti. Ethnography, 9(1), 99-121. doi: 10.1177/1466138108088951
Wilson, J. Z. (2008). Transgressive decor: Narrative glimpses in Australian prisons, 1970s-1990s. Crime Media Culture, 4(2), 331-348.
Wilson, J. Z. (2015). Prison inmate graffiti. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 61-77). Routledge.

政治塗鴉（北愛爾蘭、柏林圍牆、巴勒斯坦、香港連儂牆、臺灣）
Campos, R., Pavoni, A., & Zaimakis, Y. (Eds.). (2021). Political graffiti in critical times: The aesthetics of street politics. Berghahn.
Hasan, D., & Bleibleh, S. (2023). The everyday art of resistance: Interpreting "resistancescapes" against urban violence in Palestine. Political Geography, 101. https://doi.org/doi.org/10.1016/j.polgeo.2023.102833
Lennon, J. (2021). Conflict graffiti: From revolution to gentrification. The University of Chicago Press.
港千尋（2015）《革命的做法：從318太陽花看公民運動的創造性》。心靈工坊。
黃恐龍（2014）《野生的太陽花：學運外場的海報與塗鴉》。玉山社。

Pixacao
Chastanet, F. (2007). Pixacao: Sao Paulo Signature. Toulouse, France: Xg Press.
Dabène, O. (2020). Street art and democracy in Latin America. Springer International. (Chap. 4: Pixadores)
Larruscahim, P. G. (2014). From graffiti to pixação. Tijdschrift over Cultuur & Criminaliteit, 4(2), 69-84.
Campos, R., & Leal, G. (2021). An emerging art world: The de-subculturalization and artification process of graffiti and pixação in São Paulo. International Journal of Cultural Studies, 24(6), 974-992.
de Souza Matos, L. B. (2017). Visible expressions of urban invisibility: Exploring Pixação. EGOS Colloquium -European Group for Organizational Studies, Copenhagen , Denmark.
Gupta, S. (2015). Pixação and tourist appraisal. Wasafiri: International Contemporary Writing, 30(2), 40-46.
Juarez, B. (2016). The visual and social indeterminacy of pixação: The inextricable moods of São Paulo. Street Art and Urban Creativity, 42, 43-53.
Lamazares, A. (2017) São Paulo’s pixação and street art: Representations of or responses to Brazilian modernism? In K. Avramidis & M. Tsilimpounidi (Eds.). Graffiti and street art: Reading, writing and representing the city (pp. 197-215). New York: Routledge.
Larruscahim, G. P. (2018). Pixação: The criminalization and commodification of subcultural struggle in urban Brazil. Unpublished doctoral dissertation, University of Kent.
Larruscahim, P., & Schweizer, P. (2016). Difference upon the walls: Hygienizing policies and the use of graffiti against Pixação in São Paulo. In J. Skinner & L. Jolliffe (Eds.), Murals and tourism: Heritage, politics and identity. Routledge.
Mantell, J. (n.d.). Interpretations of Pixação: The street art everyone sees and no one understands. Unpublished manuscript.
Paula, L. S. (2018). Pixação and the production of spatial justice by the urban excluded. Arizona Journal of Hispanic Cultural Studies, 22, 151-163. https://doi.org/www.jstor.org/stable/48581733
Caldeira, T. (2012). Imprinting and moving around: New visibilities and configurations of public space in São Paulo. Public Culture, 24(2), 385-419.

塗鴉與性別
Arluke, A., Kutakoff, L., & Levin, J. (1987). Are the times changing? An analysis of gender differences in sexual graffiti. Sex Roles, 16(1/2), 1-7.
Bates, J. A., & Martin, M. (1980). The thematic content of graffiti as a nonreactive indicator of male and female attitudes. The Journal of Sex Research, 16(4), 300-315.
Bruner, E. M., & Kelso, J. P. (1980). Gender differences in graffiti: A semiotic perspective. Women's Studies International Quarterly, 3, 239-252.
Carrington, K. (1989). Girls and graffiti. Cultural Studies, 3(1), 89-100.
Green, J. A. (2003). The writing on the stall: Gender and graffiti. Journal of Language and Social Psychology, 22(3), 282-296.
Loewenstine, H. V., Ponticos, G. D., & Paludi, M. A. (1982). Sex differences in graffiti as a communication style. The Journal of Social Psychology, 117, 307-308.
Moonwomon, B. (1995). The writing on the wall: A border case of race and gender. In K. Hall & M. Bucholtz (Eds.), Gender articulated: Language and the socially constructed self (pp. 447-467). New York: Routledge.
Reich, W., Buss, R., Fein, E., & Kurtz, T. (1977). Notes on women's graffiti. Journal of American Folklore, 90, 188-191.
Sechrest, L., & Flores, L. (1969). Homosexuality in the Philippines and the United States: The handwriting on the wall. The Journal of Social Psychology, 79, 3-12.

塗鴉與階級、種族
Blake, C., Fred. (1981). Graffiti and racial insults: The archaeology of ethnic relations in Hawaii. In R. A. Gould & M. B. Schiffer (Eds.), Modern material culture: The archaeology of us (pp. 87-99). New York: Academic Press.
Lasley, J. R. (1995). New writing on the wall: Exploring the middle-class graffiti writing subculture. Deviant Behavior, 16(2), 151-167.
Lynn, N., & Lea, S. J. (2005). 'Racist' graffiti: Text, context and social comment. Visual Communication, 4(1), 39-63.
Moonwomon, B. (1992). Rape, race, and responsibility: A graffiti-text political discourse. In K. Hall, M. Bucholtz & B. Moonwomon (Eds.), Locating power: Proceedings of the Second Berkeley Women and Language Conference (pp. 420-429). Berkeley: Berkeley Women and Language Group.
Peters, T. C. (1990). Student graffiti and social class: Clues for counselors. The School Counselor, 38, 123-132.

文化惡搞
Harold, C. (2007). Pranking rhetoric: “Culture jamming” as media activism. Critical Studies in Media Communication, 21(3), 189-211. https://doi.org/10.1080/0739318042000212693
Lambert-Beatty, C. (2010). Fill in the blank: Culture jamming and the advertising of agency. New Directions for Youth Development, 125, 99-112. https://doi.org/doi.org/10.1002/yd.341
Carducci, V. (2006). Culture jamming: A sociological perspective. Journal of Consumer Culture, 6(1), 116–138. https://doi.org/10.1177/1469540506062722
Henderson, C. (2010). Jamming the culture?: A critical analysis of the Billboard Liberation Front. Unpublished master's thesis, University of Windsor, Ontario, Canada.
Nomai, A. J. (2008). Culture jamming: Ideological struggle and the possibilities for social change. Unpublished doctoral dissertation, The University of Texas at Austin.
Sandlin, J. A., & Milam, J. L. (2008). “Mixing pop (culture) and politics”: Cultural resistance, culture jamming, and anti-consumption activism as critical public pedagogy. Curriculum Inquiry, 38(3), 323-350.
Klein, N. (2000). No LOGO: Taking aim at the brand bullies. Picador. （有中譯本）
Lasn, K. (2000). Culture jam: How to reverse America's suicidal consumer binge--and why we must. HarperCollins.
Sharpe, J. (2002). Culture jam: Hijacking commercial culture [film]. Vancouver, BC : Right to Jam Productions.


其他
Deiulio, A. M. (1973). Desk top graffiti: Scratching beneath the surface. Journal of Research and Development in Education, 7(1), 100-104.
Fedorchak, V. (2005). Fuzz One: A Bronx childhood. New York: Testify Books.
Haan, M. N., & Hammerstrom, R. B. (1981). Graffiti in the big ten. New York: Warner Books.
Hermer, J., & Hunt, A. (1996). Official graffiti of the everyday. Law & Society Review, 30(3), 455-480.
Klingman, A., & Shalev, R. (2001). Graffiti: Voices of Israeli youth following the assassination of the Prime Minister. Youth and Society, 32(4), 403-420.
Klofas, J., & Cutshall. C. (1985). Unobtrusive research methods in criminal justice: Using graffiti in the reconstruction of institutional cultures. Journal of Research in Crime and Delinquency, 22(4), 355-373.
Kohl, H. (1969). Names, graffiti and culture. Urban Review, 3(5), 24-38.
Kohl, H. (1972). Golden boy as Anthony Cool. New York: The Dial Press.
Longenecker, G. J. (1977). Sequential parody graffiti. Western Folklore, 36(4), 354-364.
Mayer, S. (1996). The graffiti of the Berlin Wall: A semiotic approach. In E. Schurer, M. Keune & P. Jenkins (Eds.), The Berlin Wall: Representations and perspectives (pp. 214-228). New York: Peter Lang.
Obeng, S. G. (2000). Speaking in unspeakable: Discursive strategies to express language attitudes in Legon (Ghana) graffiti. Research on Language and Social Interaction, 33(3), 291-319.
Pritchard, V. (2008). English Medieval Graffiti. New York: Cambridge University Press.
Rhyne, L. D., & Ullmann, L. P. (1972). Graffiti: A nonreactive measure. The Psychological Record, 22, 255-258.
Rodriguez, A., & Clair, R. P. (1999). Graffiti as communication: Exploring the discursive tensions of anonymous texts. Southern Communication Journal, 65(1), 1-15. https://doi.org/https://doi.org/10.1080/10417949909373152
Wall, D. B., & Snizek, W. E. (2007). Desktop graffiti: An unobtrusive measure of student culture and campus climate. National Social Science Journal. http://www.nssa.us/journals/2007-28-2/2007-28-2-21.htm
Wilson, J. Z. (2008). Pecking orders: Power relationships and gender in Australian prison graffiti. Ethnography, 9(1), 99-121. doi: 10.1177/1466138108088951

塗鴉街頭藝術概論
Avramidis, K., & Tsilimpounidi, M. (Eds.). (2017). Graffiti and street art: Reading, writing and representing the city New York: Routledge.
Awad, S. H., & Wagoner, B. (Eds.). (2018). Street art of resistance. Palgrave Macmillan.
Baer, J. (1996). Undercover artists. Minneapolis: Bethany House.
Barnard, L. (2007). Understanding and investigating graffiti. Denver, CO: Outskirts Press.
Bates, L. (2014). Bombing, tagging, writing: An analysis of the significance of graffiti and street art. Unpublished master's thesis, University of Pennsylvania, Philadelphia, PA.
Bou, L. (2005). Street art: The spray files. New York: Collins Design.
Burnham, S. (2010). The call and response of street art and the city. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 14(1/2), 137-153. https://doi.org/10.1080/13604810903528862
C100. (2006). The art of rebellion 2: World of urban art activism Mainaschaff Publikat
Campos, C. (2011). 1,000 ideas for graffiti and street art. Rockport.
Carrington, Y. (2020). The semiotics of graffiti. Journal of Humanities and Social Science, 12(5), 59-77.
Dickens, L. (2009). The geographies of post-graffiti: Art worlds, cultural economy and the city. Unpublished doctoral dissertation, University of London.
Garcia, B. P. (2006). Conceptual street art as a means of democratic participation. Unpublished master's thesis, University of Southern California.
Gastmen, R. (2004). Enamelized: Graffiti worldwide. Corte Madera, CA: Gingko Press.
Gastman, R., Neelon, C., & Smyrski, A. (2007). Street world: Urban culture and art from five continents. New York: Abrams Books.
Gavin, F. (2007). Street renegades: New underground art. London: Laurence King.
Gottlieb, L. (2008). Graffiti art styles: A classification system and theoretical analysis. Jefferson, NC: McFarland.
Grosse, J. (2008). Urban art photography. Berlin: Die Gestalten Verlag.
Hundertmark, C. (2003). The art of rebellion: World of street art. Corte Madera, CA: Gingko Press.
Hundertmark, C., & C100. (2006). The art of rebellion 2: World of urban art activism. Singapore: Page One.
Lewisohn, C. (2008). Street art: The graffiti revolution. New York: Abrams.
Lovata, T. R. & Olton, E. (Eds.), (2016). Understanding graffiti: Multidisciplinary studies from prehistory to the present. London: Routledge.
Lunn, M. (2006). Street art uncut. Victoria, Australia: Craftsman House.
Mai, M., & Remke, A. (2003). Writing: Urban calligraphy and beyond. Berlin: Die Gestalten Verlag.
Manco, T. (2004). Street logos. New York: Thames & Hudson.
Marcovitz, H. (2020). The art of graffiti. ReferencePoint Press.
Paul 107 (Ed.). (2003). All city: The book about taking space. Toronto: ECW Press.
Peters, G., Zahlmann, H., & Reisser, M. (Eds.). (2002). Urban Discipline 2002: Graffiti-Art. Hamburg, Germany: Getting-Up.
Phillips, S. A. (1996). Graffiti. In J. Turner (Ed.), The dictionary of art (Vol. 13). (pp. 269-271). New York: Grove.
Phillips, S. A. (1999). Wallbangin': Graffiti and gangs in L. A. Chicago: The University of Chicago Press.
Posener, J. (1982). Spray it lout. London: Routledge & Kegan Paul.
Ross, J. I. (Ed.) (2015). Routledge handbook of graffiti and street art. Routledge.
Schacter, R. (2014). Ornament and order: Graffiti, street art and the Parergon. Burlington, VT: Ashgate.
Snyder, G. J. (2009). Graffiti lives: Beyond the tag in New York's urban underground. New York: New York University Press.
Stahl, J. (2009). Street art. Paris: h.f.ullmann.
Stampa Alternative in association with IGTime (Ed.). (1996). Style: Writing from the underground: (R)evolutions of Aerosol linguistics. Viterbo, Italy: Nuovi Equilibri.
Waclawek, A. (2011). Graffiti and street art. Thames & Hudson. （2015，塗鴉與街頭藝術。上海人民美术出版社。）
White, A. (2018). From primitive to integral: The evolution of graffiti art. Journal of Conscious Evolution, 11(11). https://doi.org/digitalcommons.ciis.edu/cejournal/vol11/iss11/1
Witz, D. (2010). In plain view: 30 years of artworks illegal and otherwise. Berkeley, CA: Gingko Press.
Young, A. (2016). Street art world. London: Reaktion Books.
周鴻祥（2006）塗鴉藝術創作觀念之探討。藝術學報，78，57-78。
流動的藝術（專題）（2005/2006）XFUNS：放肆創意設計雜誌，21，6-43。
畢恆達（2011）《塗鴉鬼飛踢》。遠流。
陳其澎、謝璨羽（2021）<以壁畫創生探討城市美化議題>。《城市學學刊》，11(1)，143-165。
陳貞吟（2018）為變電箱換彩衣。美育雙月刊，223，91-93。
陳凱恩（2006）遊走於城市邊緣的美麗：淺談塗鴉藝術。藝術欣賞，2（3），19-26；2（4），29-44。
街頭藝術（專題）（2004）《XFUNS：放肆創意設計雜誌》，10，60-85。
黃華敦（1991, 04）大街的牆在說「話」。《雅砌》，141-144。
塗鴉‧城市游擊與消遣（專題）（2006）《今藝術》，160，104-123。
劉晉彰（2015）<環境視覺藝術之公共空間地景再造研究>。《設計研究學報》，8，81-101。

NY塗鴉、美式塗鴉/嘻哈
Anderson, C. (2012). Going 'All City': The spatial politics of graffiti. Graduate Journal of Visual and Material Culture, 5, 1-23.
Austin, J. (2010). More to see than a canvas in a white cube: For an art in the streets. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 14(1/2), 33-47. doi:10.1080/13604810903529142
Austin, J. (2015). From the city walls to 'clean trains': Graffiti in New York CIty, 1969-1990. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 223-233). Routledge.
Birzin, E. (2019). Subway art(efact). Unpublished doctoral dissertation, University of Berlin.
Brewer, D. D. (1992). Hip Hop graffiti writers' evaluations of strategies to control illegal graffiti. Human Organization, 51(2), 188-196.
Brewer, D., & Miller, M. (1990). Bombing and burning: The social organization and values of hip hop graffiti writers and implications for policy. Deviant Behavior, 11, 345-369.
Campos, R. (2013). Graffiti writer as superhero. European Journal of Cultural Studies, 16(2), 155-170. https://doi.org/doi.org/10.1177/1367549412467177
Caputo, A. (2009). All city writers. Bagnolet, France: Kitchen93.
Castleman, C. (1982). Getting up: Subway graffiti in New York. Cambridge, MA: The MIT Press.
Castleman, C. (2012). The politics of graffiti. In M. Forman & M. A. Neal (Eds.), That's the joint! The hip-hop studies reader. Routledge.
Chalfant, H., & Prigoff, J. (1987). Spraycan art. New York: Thames and Hudson.
Cooper, M. (2004). Hip hop files: Photographs 1979-1984. New York: From Here to Fame.
Cooper, M. (2008). Tag town. Årsta, Sweden: Dokument.
Cooper, M., & Chalfant, H. (1984). Subway art. New York: Henry Holt.
Dennant, P. (1997). Urban expression... urban assault... urban wildstyle... New York City graffiti. American Studies Project, Thames Valley University.
Dickinson, M. (2008). The making of space, race and place: New York City's war on graffiti, 1970--the present. Critique of Anthropology, 28(1), 27-45.
Gablik, S. (Oct. 1982). Report from New York: The graffiti question. Art in America, 33-39.
Glazer, N. (1979). On subway graffiti in New York. Public Interest, 54, 3-11.
Gross, D. D., & Gross, T. D. (1993). Tagging: Changing visual patterns and the rhetorical implications of a new form of graffiti. Etc: A Review of General Semantics, 50(3), 251-264.
Hoekstra, F. (Ed.). (1992). Coming from the Subway: New York graffiti art. Amsterdam: Groninger Museum.
MacGillivray, L., & Curwen, M. S. (2007). Tagging as a social literacy practice. Journal of Adolescent & Adult Literacy, 50(5), 354-369.
Miller, I. L. (2002). Aerosol Kingdom: Subway painters of New York City. Jackson: University Press of Mississippi.
Pabon, J. F. (2012). Physical graffiti: The history of hip-hop dance. In M. Forman & M. A. Neal (Eds.), That's the joint! The hip-hop studies reader. Routledge.
Powers, S. (1999). The art of getting over: Graffiti at the millennium. New York: St. Martin's Press.
Stewart, J. (2009). Graffiti kings: New York City mass transit art of the 1970s. New York: Melcher Media.
Villorente, D., & James, T. (2007). Mascots & mugs: The characters and cartoons of subway graffiti. New York: Testify Books.
Wimsatt, W. U. (2008). Bomb the Suburbs. New York: Soft Skull Press.
王參、謝雅卉（2010）<塗鴉潮：無所不在的街頭藝術>。《藝術欣賞》，6(5)，46-53。
尖端編輯部/編（2001）HIP HOP街頭 II。台北：尖端。
朱學恆（2009.02.04）景氣大蕭條與塗鴉.....。2009.02.05取自http://blogs.myoops.org/lucifer.php/2009/02/04/depression#more487
西朔（1985）紐約壁書主義：邊陲藝術、地下藝術與21世紀新俚語。時報雜誌，272，39-43。
吳易叡（2006）潛意識裡的街頭游擊：淺談塗鴉與精神分析。大聲誌，6，35-39。
李美蓉（1988）塗鴉藝術從何來？現代美術，19，46。
李美蓉（2001）反文化到藝術主流之一：紐約塗鴉藝術。美育，123，46-57。
秦情（1985）壁書藝術：從紐約到台北。時報雜誌，272，37-38。
許坤成（1985）Graffiti‧街頭藝術‧都市景觀。中國論壇，230，42-50。
楊熾宏（1985）在牆壁上塗寫的藝術GRAFFITI。藝術家，116，78-82 。

貨車塗鴉
Ferrell, J. (1999). Freight train graffiti: Subculture, media, dislocation. In J. Ferrell & N. Websdale (Eds.), Making trouble: Cultural constructions of crime, deviance, and control (pp. 231-252). New York: Aldine de Gruyter.
Gastman, R., Rowland, D., & Sattler, I. (2006). Freight train graffiti. London: Thames & Hudson.
Weide, R. D. (2015). The history of freight train graffiti in North America. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 36-47). Routledge.

編織塗鴉
Goggin, M. D. (2015). Yarn bombing: Claiming rhetorical citizenship in public spaces. In C. Kock & L. Villadsen (Eds.), Contemporary Rhetorical Citizenship (pp. 93-116). Leiden University Press.
Haveri, M. (2015). Yarn bombing: The softer side of street art. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 103-112). Routledge.
McGovern, A. (2019). Craftivism and yarn bombing: A criminological exploration. Palgrave Macmillan.

塗鴉國家城市
Ganz, N. (2004). Graffiti world: Street art from five continents. London: Thames & Husdon.
Ket, A. (2007). Graffiti planet: The best graffiti from around the world. Michael O’Mara.
Pan, L. (2015). Aestheticizing public space: Street visual politics in East Asian cities. Bristol Intellect.
Sanada, R., & Hassan, S. (2010). Graffiti Asia. Laurence King.
Camerota, R. (2008). Graffiti Japan. New York: Mark Batty.
Sanada, R., & Hassan, S. (2007). RackGaki: Japanese graffiti. London: Laurence King.
Yamakoshi, H., & Sekine, Y. (2015). Graffiti/street art in Tokyo and surrounding districts. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 345-356). Routledge.
Edelson, B. (1998). New American street art: Beyond graffiti. Woodstock, NY: Soho Books.
Frankel, K., & Wilson, R. (1996). Off the wall: The best graffiti off the walls of America. Atlanta: Longstreet Press.
Burns, K. (2003). I NY: New York street art. New York: 4 am Press.
Dawson, B. (2003). Street graphics New York. New York: Thames & Hudson.
Felisbret, E. D. C. (2009). Graffiti New York. New York: Abrams.
Kriegel, L. (1993). Graffiti: Tunnel notes of a New Yorker. The American Scholar, 62, 431-436.
Martinez, H. (2006). Graffiti NYC. New York: Prestel.
Nose, M. R. (2000). New York City graffiti. Tokyo: Graphic-sha.
Wiese, M. (1996). New York graffiti, 1970-1995. Aragon.
Hager, S. (1986). Art after midnight: The East Village scene. New York: St Martin’s Press.
Robinson, D. (1990). SoHo walls: Beyond graffiti. New York: Thames and Hudson.
Salyers, C. D. (2006). CBGB: Decades of graffiti. New York: Mark Batty.
Alva, R., & Reiling, R. (2006). The history of Los Angeles graffiti art. Alva & Reiling.
Gastman, R., & Teri, S. (Eds.). (2007). Los Angeles graffiti. New York: Mark Batty.
Grody, S. (2007). Graffiti L. A.: Street styles and art. New York: Abrams.
Phillips, S. A. (2019). The city beneath: A century of Los Angeles graffiti. Yale University Press.
Romotsky, J., & Romotsky, S. R. (1976). L. A. human scale: Street art of Los Angeles. The Journal of Popular Culture, 10(3), 653-666.
Gastman, R. (Ed.). (2001). Free agents: A history of Washington D.C. graffiti. Bethesda, MR: Rock.
Levin, L., & Solga, K. (2009). Performance and the fantasy of urban renewal in contemporary Toronto. TDR: The Drama Review, 53(3), 37-53.
Gauthier, L. (1998). Writing on the run: The history and transformation of street graffiti in Montreal in the 1990s. Unpublished doctoral dissertation, New School for Social Research.
Best, C. (2003). Reading graffiti in the Caribbean context. Journal of Popular Culture, 36(4), 828-852.
Braziel, J. E. (2023). Street art and activism in the greater Caribbean: Impossible states, virtual publics. Routledge.
Dabène, O. (2020). Street art and democracy in Latin America. Springer International. (Pixadores)
Grider, S. A. (1975). Con Safos: Mexican-Americans, names and graffiti. The Journal of American Folklore, 88(348), 132-142.
Nevaer, L. E. V. (2009). Protest graffiti – Mexico: Oaxaca. Mark Batty.
Stiller, J. (2003). On the wheels of steel - End 2 ends: Graffiti on trains in Europe. Corte Madera, CA: Gingko Press.
Stiller, J. (2003). Surf the city: Graffiti on subways in Europe. Corte Madera, CA: Gingko Press.
廖方瑜、孟成瀚（2005）塗鴉‧城市糖果地圖。田園城市。
Velikonja, M. (2020). Post-Socialist political graffiti in the Balkans and Central Europe. Routledge.
Alacevich, F. e. A. (1991). The lost graffiti of Berlin: The writing on the wall. Rome: Gremese International.
Mangler, C. (2006). City language Berlin. Berlin: Prestel.
張詠翔（2019）《柏林的塗鴉探討：從政治、社會、文化與藝術的角度分析》。東吳大學德國文化研究所碩士論文。
Harvey, A. D. (2006). Wall art in England. Critical Quarterly, 48(1), 68-79.
Macnaughton, A. (2006). London street art. New York: Prestel.
Kindynis, T. (2018). Bomb alert: Graffiti writing and urban space in London. British Journal of Criminology, 58, 511-528. https://doi.org/10.1093/BJC/AZX040
Huber, J., & Bailly, J.-C. (1986). Paris graffiti. New York: Thames and Hudson.
高燦榮（1993/11）法國建築壁上的塗鴉。藝術家，222，400-403。
Tas¸ , O., & Tas¸ , T. (2014). Resistance on the walls, reclaiming public space: Street art in times of political turmoil in Turkey. Interactions: Studies in Communication & Culture, 5(34), 327-349. doi: 10.1386/iscc.5.3.327_1
Aksel, B., & Olgun, I. (2014). Writing on Istanbul: Graffiti of the city. In D. Ö. Koçak & O. K. Koçak (Eds.), Whose city is that? Culture, design, spectacle and capital in Istanbul (pp. 159-185). Newcastle, UK: Cambridge Scholars.
Sequeira, Á. (2015). Letting the walls of the city speak: The route of a sociological research project on Lisbon’s street art. SAUC - Street Art and Urban Creativity, 1(2), 82-88. https://doi.org/doi.org/10.25765/sauc.v1i2.34
Campos, R. (2021). Urban art in Lisbon: opportunities, tensions and paradoxes. Cultural Trends, 30(2), 139-155. https://doi.org/doi.org/10.1080/09548963.2021.1897779
Brown, J. C. (1995). The writing on the wall: The messages in Hungarian graffiti. Journal of Popular Culture, 29(2), 115-117.
Krohn, Z., & Lagerweij, J. (2010). Concrete messages: Street art on the Israeli - Palestinian separation barrier. Årsta, Sweden: Dokument Press.
Bushnell, J. (1990). Moscow graffiti: Language and subculture. Boston: Unwin Hyman.
Jacobson, M. (2000). They call us vandals: Swedish graffiti. Stockholm: Dokument.
Osterhagen, L. (2003). What's in a city: Lettering and signage on Sveavagen. Stockholm: Utopi forlag.
Torres, R. P. (2005). Barcelona 1000 graffitis. Barcelona: Editorial Gustavo Gili.
Dew, C. (2007). Uncommissioned art: The A-Z of Australian graffiti. Carlton, Australia: The Miegunyah Press.
Smallman, J., & Nyman, C. (2005). Stencil graffiti capital: Melbourne. West New York, NJ: Mark Batty.
Grondahl, M. (2012). Revolution graffiti: Street art of the new Egypt. The American University in Cairo Press.

臺灣街頭塗鴉／藝術
Bbrother（2008）一起活在牆上！我用噴漆散播人性的光輝。原點。
BBrother（2012）<用嘔吐的地景：占領純粹的年代：記憶中的台灣塗鴉景觀>。《PAR表演藝術雜誌》，231，64-66。
Reach（編）（2008）塗鴉人：轟炸台灣。大辣。
Sang, T.-L. & Hoopingarner, I. (2014). Not Ruin Porn: Graffiti in the Nangang Bottle Cap Factory. http://www.chinasmack.com/2014/features/not-ruin-porn-graffiti-in-the-nangang-bottle-cap-factory.html
是元介（2003）嘻哈萬歲！：全台街舞大追蹤。台北：如何。（簡介：街頭塗鴉何處去？：精選北中南三地最佳塗鴉地點，以及欣賞創作的好地方。另有塗鴉大師傳授塗鴉祕訣！）
柯志祥（2003）台灣的塗鴉現象。美育，132，92-96。
塗鴉潮流席捲台北街頭（2006）蛋報，2，34-42。
謝東山/主編（2002）台灣當代藝術1980-2000。台北：藝術家。
陳招良（2003）公共空間的私有地帶：台南市街頭塗鴉研究。彰化師範大學美術學系在職進修專班碩士論文。
李靜怡（2004）台灣青少年嘻哈文化的認同與實踐。國立成功大學藝術研究所碩士論文。（其中有一節談論嘻哈塗鴉）
黃柏堯（2007）街頭塗鴉的日常生活研究；以台北市西門町為例。國立政治大學新聞研究所碩士論文。
陳冠宇（2008）權力與塗鴉文化的地盤戰。銘傳大學建築與都市防災研究所碩士論文。
劉紫萍（2008）夾縫中生存的塗鴉：我在校園設置塗鴉區的過程與行動。國立花蓮教育大學國民教育研究所碩士論文。
游舒雅（2008）國中生校園塗鴉行為之研究：以臺北縣某國中為例。國立臺灣師範大學美術學系在職進修碩士班碩士論文。
蔡青昔（2009）台灣街頭塗鴉環境與行為之研究。國立台北科技大學建築與都市設計研究所碩士論文。
章懿琇（2009）台中市民對街頭塗鴉態度與管理措施偏好關係之研究。逢甲大學景觀與遊憩研究所碩士論文。
陳淑真（2009）台灣「七逃囝仔ㄟ夢」：「六號病毒」街頭塗鴉藝術創作團體個案研究。國立彰化師範大學藝術教育研究所碩士論文。
劉憲宗（2009）《台灣異質空間視覺文化探討：以台北塗鴉的表現形式為例》。銘傳大學設計創作研究所碩士論文。
許明霖（2010）《方言的發散：街頭、展覽、消費場域的臺灣塗鴉次文化》。國立中央大學藝術學研究所碩士論文。
劉靜螢（2010）《青少年對塗鴉藝術的意念之研究：以彰化縣某國中為例》。大葉大學設計暨藝術學院碩士在職專班碩士論文。
高政全（2011）《越線：台灣塗鴉健兒群相》。世新大學圖文傳播暨數位出版學研究所碩士論文。
朱厚先（2013）《塗鴉現象於台北西門町之空間滲透與商業活動影響》。東海大學建築學系碩士論文。
周恩麟（2016）《以塗鴉文化為導向之社群誕生及其在地實踐?西門地區個案研究》。國立臺北大學都市計劃研究所碩士論文。
戴維（2016）《以象徵互動論看台灣塗鴉文化》。國立政治大學亞太研究英語碩士學位學程碩士論文。
蔡岱凌（2017）《創意城市之塗鴉空間治理：台北市案例研究》。國立臺北大學都市計劃研究所碩士論文。
許文嘉（2018）《無冕之王：生命在街頭塗鴉團隊實踐中的相互反映、長成與方法精鍊》。輔仁大學心理研究所碩士論文。
李宣儀（2019）《李健鳴的塗鴉實踐中的塗鴉精神》。國立臺北教育大學藝術與造型設計學系碩士班碩士論文。
吳智威（2020）《嚴禁塗鴉：塗鴉行動在城市公共空間中的歷程與省思》。國立臺北藝術大學藝術與人文教育研究所碩士論文。（吳岱融指導，鎖論文）
賴怡玟（2020）《藝術介入臺灣傳統社區之研究：以彩繪壁畫為例》。亞洲大學士決傳達設計學系碩士論文。

香港／中國街頭塗鴉
Agustin, K. J. C., & Chan, W. W. L. (2022). Understanding social critique in graffiti art from a (non-)Western perspective: Chinese students comparing Banksy and Zato through photo-elicitation. Visual Studies, 37(4), 378-393. https://doi.org/10.1080/1472586X.2022.2046497
Bruce, C. (2010). Public surfaces beyond the Great Wall: Communication and graffiti culture in China. InVisual Culture, 15, 102-124.
Marinelli, M. (2004). Walls of dialogue in the Chinese Space. China Information, 18(3), 429-462.
Pan, L. (2014). Who is occupying wall and street: Graffiti and urban spatial politics in contemporary China. Continuum: Journal of Media & Cultural Studies, 28(1), 136-153.
Valjakka, M. (2011). Graffiti in China: Chinese graffiti? The Copenhagen Journal of Asian Studies, 29(1), 61-91.
Valjakka, M. (2014). Contesting the levels of il/legality of urban art images in China. Review of Culture, 45, 96-118.
Valjakka, M. (2015). Negotiating spatial politics: Site-responsive urban art images in mainland China. China Information, 29(2), 253-281.
Valjakka, M. (2015). Claiming spaces for urban art images in Beijing and Shanghai. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 357-371). Routledge.
李可潤（2020）《廈門大學芙蓉隧道塗鴉的治理、認同與地方》。國立臺灣大學建築與城鄉研究所博士論文。
張益昇（2008）<重慶塗鴉藝術街>。《藝術欣賞》，4(3)，76-83。
Valjakka, M. (2015). Contesting transcultural trends: Emerging self-identities and urban art images in Hong Kong. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 372-387). Routledge.
Valjakka, M. (2015). Urban art images and the concerns of Mainlandization in Hong Kong. In G. Bracken (Ed.), Asian cities: Colonial to global (pp. 95-122). Amsterdam: Amsterdam University Press.
Clarke, D. J. (2002). Graffiti. In Hong Kong art: Culture and decolonization (pp. 175-185). Durham, NC: Duke University Press.（香港）
陳顯龍（2019）<塗鴉是城市的XX>。《就係香港》，4，154-192。
曾月群（2019）<淺談塗鴉與香港的文化現象>。《中華文化中心通訊》，3，26-31。

藝術家
Bowen, T. E. (1999). Graffiti art: A contemporary study of Toronto artists. Studies in Art Education, 41(1), 22-39. https://doi.org/doi.org/10.2307/1320248
Mathieson, E. and X. A. Tapies (2009). Street artists: The complete guide. London, Graffito.
Nguyen, P. and S. Mackenzie, Eds. (2010). Beyond the street: The 100 leading figures in urban art. Berlin, Gestalten.
Revs. (2004). Autograf: New York City's graffiti writers. New York: PowerHouse Books.
Banksy (2002). Banging your head against a brick wall. London: The Author.
Banksy (2002). Existencilism. London: The Author.
Banksy (2005). Wall and piece. London: Century.
Bengtsen, P. (2016). Hijacking Banksy: Using a contemporary art mystery to increase academic readership. Street Art and Urban Creativity, 2(1), 60-66. https://doi.org/doi.org/10.25765/sauc.v2i1.45
Blaagaard, B. B., & Roslyng, M. M. (2020). The spatial, networked and embodied agency of social media: A critical discourse perspective on Banksy’s political expression. Critical Discourse Studies. https://doi.org/10.1080/17405904.2020.1829665
Dickens, L. (2008). Placing post-graffiti: The journey of the Peckham Rock. Cultural Geographies, 15(4), 471–496.
Edwards, I. (2009). Banksy's graffiti: A not-so simple case of criminal damage? The Journal of Criminal Law, 73(4), 345-361.
Hauge, M. V., Stevenson, M. D., Rossmo, D. K., & Le Combe, S. C. (2016). Tagging Banksy: Using geographic profiling to investigate a modern art mystery. Journal of Spatial Science, 61(1), 185-190. doi:10.1080/14498596.2016.1138246
Salib, P. N. (2015). The law of Banksy: Who owns street art? The University of Chicago Law Review, 82(4), 2293-2328.
Hansen, S. (2016). “Pleasure stolen from the poor”: Community discourse on the “theft” of a Banksy. Crime, Media, Culture: An International Journal, 12(3), 289-307. https://doi.org/10.1177/1741659015612880
Hansen, S. (2018). Banksy’s subversive gift. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 22(2), 285-297. doi:10.1080/13604813.2018.1461478
Hansen, S., & Danny, F. (2015). ‘This is not a Banksy!’: Street art as aesthetic protest. Continuum: Journal of Media & Cultural Studies, 29(6), 898-912. doi:10.1080/10304312.2015.1073685
Mercurio, G. (2020). A visual protest: The art of Banksy. Prestel.
DeTurk, S. (2015). The “Banksy Effect” and street art in the Middle East. SAUC - Street Art and Urban Creativity, 1(2), 22-30. https://doi.org/doi.org/10.25765/sauc.v1i2.25
Harzman, J. C. (2015). Banksy at Disneyland: Generic participation in culture jamming. Kaleidoscope: A Graduate Journal of Qualitative Communication Research, 14, 17-26. https://doi.org/opensiuc.lib.siu.edu/kaleidoscope/vol14/iss1/3
Freitag, F. (2017). Critical theme parks: Dismaland, Disney and the politics of theming. Continuum: Journal of Media & Cultural Studies, 31(6), 923-932. https://doi.org/10.1080/10304312.2017.1310180 (Banksy)
Monachesi, P., & Turco, M. (2017). New urban players: Stratagematic use of media by Banksy and the Hong Kong Umbrella Movement. International Journal of Communication, 11, 1448-1465.
Stephens, S. (2006). Fun with vandalism: The illegal street art of Shepard Fairey and Banksy. Unpublished Master’s thesis. Cincinnati, OH: University of Cincinnati.
Kalb, P. R. (2020). Writing the future: Basquiat and the hip-hop generation. Panorama: Journal of the Association of Historians of American Art, 7(1). https://doi.org/doi.org/10.24926/24716839.11870
Prou, S., & Adz, K. (2008). Blek le Rat: Getting through the walls. New York: Thames & Hudson.
Goldberg, R. (2009). Discovering New York artist De La Vega. North Miami, FL: Author.
Stockton, D. (2013). The art of D*Face: One man & his dog. Laurence King.
Daichendt, G. J. (2013). Shepard Fairey Inc: Artist, professional, vandal. Titan Books.
Fairey, S. (2002). Post no bills. Los Angeles: Gingko Press.
Fairey, S., & etc. (2006). Obey: Supply & demand: The art of Shepard Fairey. Corte Madera, CA: Gingko Press.
Cartwright, L., & Mandiberg, S. (2009). Obama and Shepard Fairey: The copy and political iconography in the age of the demake. Journal of Visual Culture, 8(2), 172-176.
Futura. (2000). Futura. London: Booth-Clibborn Editions.
Haring, K. (1984). Art in transit: Subway drawings by Keith Haring.
Blanché, U. (2016). Keith Haring: A Street Artist? SAUC - Street Art and Urban Creativity, 2(1), 6-18. https://doi.org/doi.org/10.25765/sauc.v2i1.39
鄭世安（2002）璀璨的嬰孩：凱斯˙哈林與塗鴉藝術研究。國立臺灣師範大學美術研究所碩士論文。
Chung, J. (2011). Kowloon King. Asia One.（九龍皇帝）
Kuttner, T. (2015). OSGEMEOS and the Institutionalization of Street Art. SAUC - Street Art and Urban Creativity, 1(2), 49-58. https://doi.org/doi.org/10.25765/sauc.v1i2.29
Poster Boy. (2010). Poster boy: The war of art. New York: Mark Batty.
Moore, M. (2011). Vhils. Gestalten.
Klanten, R., & Helige, H. (Eds.). (2005). WK Interact: Exterior-interior act 2. Berlin: Die Gestalten Verlag.
Wu, H. (2000). Zhang Dali’s Dialogue: Conversation with a city. Public Culture, 12(3), 749-768.

塗鴉空間地點
Bengtsen, P. (2013). Site specificity and street art. In J. Elkins & K. McGuire (Eds.), Theorizing visual studies: Writing through the discipline (pp. 250-253). New York: Routledge.
Bengtsen, P. (2015). Stealing from the public: The value of street art taken from the street. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 416-428). Routledge.
Castro, M. I. C. (2018). With, on and against street signs on art made out of street signs. SAUC - Street Art and Urban Creativity, 4(1), 82-93. https://doi.org/doi.org/10.25765/sauc.v4i1.124
Christensen, M., & Thor, T. (2017). The reciprocal city: Performing solidarity: Mediating space through street art and graffiti. International Communication Gazette, 79(6-7), 584-612. https://doi.org/10.1177/1748048517727183
Cresswell, T. (1992). The crucial "where" of graffiti: A geographical analysis of reactions to graffiti in New York. Environment and Planning D: Society and Space, 10, 329-344.
Evans, G. (2015). Graffiti art and the city: From piece-making to place-making. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 168-182). Routledge.
Ferrell, J., & Weide, R. D. (2010). Spot theory. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 14(1/2), 48-62. doi:10.1080/13604810903525157
Lesh, C. N. (2022). The writing of where: Graffiti and the production of writing spaces. Syracuse University Press.
Megler, V., Banis, D., & Chang, H. (2014). Spatial analysis of graffiti in San Francisco. Applied Geography, 54, 63-73.
Pasado, L. (2000). Claiming space: Talking with graffiti writers in Columbus OH. Clamor, 1, 82-85.
van Loon, J. (2014). “Just writing your name?” An analysis of the spatial behaviour of graffiti writers in Amsterdam. Belgian Journal of Geography, 3.
Visconti, L. M., Sherry, J. F., Borghini, S., & Anderson, L. (2010). Street art, sweet art? Reclaiming the "Public" in public place. Journal of Consumer Research, 37(3), 511-529. https://doi.org/doi.org/10.1086/652731
Zieleniec, A. (2016). The right to write the city: Lefebvre and graffiti. Urban Environment, 10. https://journals.openedition.org/eue/1421

塗鴉與都市治理、政治、破窗
Austin, J. (2001). Taking the train: How graffiti art became an urban crisis in New York City. New York: Columbia University Press.
Bloch, S. (2015). Challenging the defense of graffiti, in defense of graffiti. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 440-451). Routledge.
Bloch, S. (2020). Broken windows ideology and the (mis)reading of graffiti. Critical Criminology, 28(4), 703–720. https://doi.org/doi.org/10.1007/s10612-019-09444-w
Brighenti, A. M. (2010). At the wall: Graffiti writers, urban territoriality, and the public domain. Space and Culture, 13(3), 315-332.
Brook, R., & Dunn, N. (2011). Urban maps: Instruments of narrative and interpretation in the city. Burlington, VT: Ashgate.
Burnham, S. (2007). The VJ of the everyday: Remixing the urban visual. In A. R. Marcus & D. Neumann (Eds.), Visualizing the city (pp. 181-196). New York: Routledge.
Burnham, S. (2010). Scenes & sounds: The call and response of street art and the city. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 14(1/2), 137-153. doi:10.1080/13604810903528862
Castleman, C. (2004). The politics of graffiti. In M. Forman & M. A. Neal (Eds.), That's the joint! The hip-hop studies reader (pp. 21-29). New York: Routledge.
Chaffee, L. G. (1993). Political protest and street art: Popular tools for democratization in Hispanic countries. Greenwood Press.
David, E. A. (2007). Signs of resistance: Marking public space through a renewed cultural activism. In G. C. Stanczak (Ed.), Visual research methods: Image, society, and representation (pp. 225-254). Los Angeles: Sage.
Docuyanan, F. (2000). Governing graffiti in contested urban spaces. Political and Legal Anthropology Review, 23(1), 103-121.
Evered, K. T. (2019). Erasing the place of dissent: Inscriptions and eliminations of Gezi Park graffiti. Area, 51(1), 155-165.
Ferrell, J. (2001). The towering inferno. In Tearing down the streets: Adventures in urban anarchy (pp. 179-220). New York: Palgrave.
Ferrell, J. (2017). Graffiti, street art and the dialectics of the city. In K. Avramidis & M. Tsilimpounidi (Eds.), Graffiti and street art: Reading, writing and representing the city (pp. 27-38). Routledge.
Halsey, M., & Young, A. (2002). The meanings of graffiti and municipal administration. The Australian and New Zealand Journal of Criminology, 35(2), 165-186.
Halsey, M., & Young, A. (2006). 'Our desires are ungovernable': Writing graffiti in urban space. Theoretical Criminology, 10(3), 275-306.
Haworth, B., Bruce, E., & Iveson, K. (2013). Spatio-temporal analysis of graffiti occurrence in an inner-city urban environment. Applied Geography, 38, 53-63.
Iveson, K. (2010). Graffiti, street art and the city: Introduction. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 14(1/2), 25-32. doi:10.1080/13604811003638320
Iveson, K. (2010). The wars on graffiti and the new military urbanism. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 14(1/2), 115-134. doi:10.1080/13604810903545783
Iveson, K. (2010). Some critical reflections on being critical: Reading for deviance, dominance or difference? City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 14(4), 434-441. doi:10.1080/13604813.2010.496213
Iveson, K. (2017). Graffiti, street art and the democratic city. In K. Avramidis & M. Tsilimpounidi (Eds.), Graffiti and street art: Reading, writing and representing the city (pp. 89-99). Routledge.
Keizer, K., Lindenberg, S., & Steg, L. (2008). The spreading of disorder. Science, 322, 1681-1685.
Keizer, K., Lindenberg, S., & Steg, L. (2011). The reversal effect of prohibition signs. Group Process and Intergroup Relations, 14(5), 681-688.
Kramer, R. (2010). Moral panics and urban growth machines: Official reactions to graffiti in New York City, 1990-2005. Qualitative Sociology, 33(3), 297-311.
Kramer, R. (2010). Painting with permission: Legal graffiti in New York City. Ethnography, 11(2), 235-253.
Kramer, R. (2015). New York City's moral panic over graffiti: Normalizing neoliberal penality and paving the way for growth machines. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 404-415). Routledge.
Kramer, R. (2015). Straight from the underground: New York City's legal graffiti writing culture. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 113-123). Routledge.
Kramer, R. (2017). The rise of legal graffiti writing in New York and beyond. Singapore: Palgrave Macmillan.
Landry, D. (2017). Defensible aesthetics: Creative resistance to urban policies in Ottawa. In K. Avramidis & M. Tsilimpounidi (Eds.), Graffiti and street art: Reading, writing and representing the city (pp. 216-230). Routledge.
Lennon, J. (2009). "Bombing" Brooklyn: Graffiti, language and gentrification. Rhizomes, 19(1).
Lombard, K.-J. (2013). Art crimes: The governance of hip hop graffiti. Journal for Social Research, 17(3), 255-278.
Murray, J., & Murray, K. (2002). Broken windows: Graffiti NYC. Corte Madera, CA: Gingko Press.
Ross, J. I. (2015). How major urban centers in the United States respond to graffiti/street art. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 393-403). Routledge.
Urban Land (1988). San Francisco Project winning the war on graffiti. October, 47, 27-28.
Young, A. (2014). Cities in the city: Street art, enchantment, and the urban commons. Law & Literature, 26(2), 145-161. doi:10.1080/1535685X.2014.888208

塗鴉心理學
Dar, A., & Hunnicutt, G. (2017). Famously anonymous artistic outlaws: The negotiation of dual identities among former graffiti writers. Identity, 17(4), 207-223. https://doi.org/10.1080/15283488.2017.1379903
Halsey, M., & Pederick, B. (2010). The game of fame: Mural, graffiti, erasure. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 14(1/2), 82-98. doi:10.1080/13604810903525199
Hookstra, C. L. (2009). Adolescent graffiti vandalism: Exploring the root causes. Department of Leadership and Management, University of La Verne, La Verne, CA.
Lachmann, R. (1988). Graffiti as career and ideology. American Journal of Sociology, 94, 229-250.
Ong, W. J. (1990). Subway graffiti and the design of the self. In C. Ricks & L. Michaels (Eds.), The state of language (pp. 400-407). Berkeley: University of California Press.
Taylor, M. F., Pooley, J. A., & Carragher, G. (2015). The psychology behind graffiti involvement. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 194-203). Routledge.
Wales, E., & Brewer, B. (1976). Graffiti in the 1970's. The Journal of Social Psychology, 99, 115-123.
Willcocks, M., Thorpe, A., Toylan, G., Clavell, G., & Moliner, L. (2015). The hands behind the cans. SAUC - Street Art and Urban Creativity, 1(1), 80-91. https://doi.org/doi.org/10.25765/sauc.v1i1.20
Yapondjian, M. A. (2005). Using the four elements of hip-hop as a form of self-expression in urban adolescents. Unpublished doctoral dissertation, University of Hartford.

塗鴉次文化、規則
Bloch, S. (2019). Going all city: Struggle and survival in LA's graffiti subculture. The University of Chicago Press.
MacDiarmid, L., & Downing, S. (2012). A rough aging out: Graffiti writers and subcultural drift International Journal of Criminal Justice Sciences, 7(2), 605-617.
McDonald, K. (1999). You’ll be forgotten: Visibility and mobility of graffiti writers. In Struggles for subjectivity: Identity, action, and youth experience (pp. 139-154). New York: Cambridge University Press.
Merrill, S. (2015). Keeping it real? Subcultural graffiti, street art, heritage and authenticity. International Journal of Heritage Studies, 21(4), 369-389. doi:10.1080/13527258.2014.934902
Nilsen, D. L. F. (1980). The grammar of graffiti. American Speech, 55(3), 234-239.
Rahn, J. (2002). Painting without permission: Hip-hop graffiti subculture. Westport, CT: Bergin & Garvey.
Snyder, G. J. (2015). Graffiti and the subculture career. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 206-213). Routledge.
Taylor, M. F., Cordin, R., & Njiru, J. (2010). A twenty-first century graffiti classification system: A typological tool for prioritizing graffiti removal. Crime Prevention and Community Safety, 12(3), 137-155. https://doi.org/doi:10.1057/cpcs.2010.8
Waldner, L. K., & Dobratz, B. A. (2013). Graffiti as a form of contentious political participation. Sociology Compass, 7(5), 377–389. doi:10.1111/soc4.12036

塗鴉、壁畫與社會工作、社區
Barnett, A. W. (1984). Community murals: The people's art. New York: Cornwall Books.
Bruce, C. F. (2019). Painting publics: Transnational legal graffiti scenes as spaces for encounter. Temple University Press.
Bloch, S. (2016). Why do graffiti writers write on murals? The birth, life, and slow death of freeway murals in Los Angeles. International Journal of Urban and Regional Research, 40(2), 451-471. https://doi.org/10.1111/1468-2427.12345451
O'Connell, M. (2012). If these walls could talk: Community muralism and the beauty of justice. Liturgical Press.
Besser, J. (2010). Muralismo morte: The rebirth of muralism in contemporary urban art. From Here to Fame.
Cooper, M., & Sciorra, J. (1994). R.I.P.: Memorial wall art. New York: Henry Holt.
Delgado, M. (2003). Death at an early age and the urban Scene: The case for memorial murals and community healing. New York: Praeger.
Jarman, N. (1998). Painting landscapes: The place of murals in the symbolic construction of urban space. In A. Buckley (Ed.). Symbols in Northern Ireland (pp. 81-98). Belfast, UK: The Institute of Irish Studies, The Queen’s University of Belfast.
Kim, S. (1995). Chicano graffiti and murals: The neighborhood art of Peter Quezada. Jakson: University Press of Mississippi.
Latorre, G. (2008). Walls of empowerment: Chicana/o indigenist murals of California. Austin: University of Texas Press.
Oni, D. (2020). Subverting ownership: Graffiti as a reclamation of collective property. The Earlham Historical Journal, 12(2), 71-81.
Sanchez, E. B. C., & Aviles, A. T. (2001). Ambiguous identities! The affirmation of puertorriquenidad in the community murals of New York City. In A. Lao-Montes & A. Davila (Eds.), Mambo montage: The Latinization of New York (pp. 263-289). New York: Columbia University Press.
Skinner, J., & Jolliffe, L. (Eds.). (2017). Murals and tourism: Heritage, politics and identity. Taylor & Francis.（有北愛爾蘭壁畫）

塗鴉犯罪法律
Alpaslan, Z. (2012). Is street art a crime? An attempt at examining street art using criminology. Advances in Applied Sociology, 2(1), 53-58. doi:dx.doi.org/10.4236/aasoci.2012.21007
Bloch, S. (2020). Broken windows ideology and the (mis)reading of graffiti. Critical Criminology, 28, 703-720. https://doi.org/doi.org/10.1007/s10612-019-09444-w
Ferrell, J. (1993). Crimes of style: Urban graffiti and the politics of criminality. Boston: Northeastern University Press.
Ferrell, J. (1995). Urban graffiti: Crime, control, and resistance. Youth and Society, 27(1), 73-92.
Stewart, S. (1987). Ceci Tuere Cela: Graffiti as crime and art. In J. Fekete (Ed.), Life after postmodernism: Essays on value and culture (pp. 161-178). New York: St. Martin's Press.
Taylor, M. F., Maraish, I., & Cottman, R. (2012). Patterns of graffiti offending: towards recognition that graffiti offending is more than 'kids messing around'. Policing & Society, 22(2), 152-168. https://doi.org/doi.org/10.1080/10439463.2011.605128
van Rooyen, G. (2001). Graffiti: Is the writing on the wall? South African Journal of Criminal Justice, 14(2), 238-240.
White, R. (2001). Graffiti, crime prevention and cultural space. Current Issues in Criminal Justice, 12(3), 253-268.
Wilson, P., & Healy, P. (1986). Graffiti and vandalism: A report to the State Rail Authority of New South Wales. Canberra: Australian Institute of Criminology.
Young, A. (2005). Written on the skin of the city. In Judging the image: Art, value, law (pp. 50-77). New York: Routledge.
Young, A. (2010). Negotiated consent or zero tolerance? Responding to graffiti and street art in Melbourne. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 14(1/2), 99-114. doi:10.1080/13604810903525215
Young, A. (2017). Art or crime or both at the same time? On the ambiguity of images in public space. In K. Avramidis & M. Tsilimpounidi (Eds.), Graffiti and street art: Reading, writing and representing the city (pp. 37-53). Routledge.
郭嘉雁（2013）《是「藝術」還是「犯罪」？：對於塗鴉行為可罰性之探討》。中原大學財經法律研究所碩士論文。

塗鴉與藝術
Bengtsen, P. (2013). Beyond the public art machine: A critical examination of street art as public art. Konsthistorisk tidskrift/Journal of Art History, 82(2), 63-80. doi:10.1080/00233609.2012.762804
Chamberlain, R., Mullin, C., Berio, D., Leymarie, F. F., & Wagemans, J. (2022). Aesthetics of graffiti: Comparison to text-based and pictorial artforms. Empirical Studies of the Arts, 40(1), 21-36. https://doi.org/doi.org/10.1177/0276237420951415
Dickens, L. (2010). Pictures on walls? Producing, pricing and collecting the street art screen print. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 14(1/2), 63-81. doi:10.1080/13604810903525124
Farrelly, L., Recchia, D., Dorrian, M., & Blackshaw, R. (2001). Scrawl too: More dirt. London: Booth-Clifford Editions.
Fitzpatrick, T. (2009). Art and the subway: New York underground. New Brunswick, NJ: Rutgers University Press. (“Word of the prophets: Subway graffiti 1969-1989)
Gayo, E. G. (2017). From post-graffiti to contemporary mural art. SAUC - Street Art and Urban Creativity, 3(1), 26-28. https://doi.org/doi.org/10.25765/sauc.v3i1.60
Gomez, M. A. (1993). The writing on our walls: Finding solutions through distinguishing graffiti art from graffiti vandalism. University of Michigan Journal of Law Reform, 26(3), 633-707.
Jones, R. M. (2007). Inside the graffiti subculture: Why graffiti is not art. Saarbrucken, Germany: VDM Merlag Dr. Muller.
Light, E. (2018). Aesthetic ruptures: viewing graffiti as the emplaced vernacular. Communication and Critical/Cultural Studies, 15(2), 179-195. https://doi.org/10.1080/14791420.2018.1454970
McAuliffe, C. (2012). Graffiti or street art? Negotiating the moral geographies of the creative city. Journal of Urban Affairs, 34(2), 189-206.
McAuliffe, C. & Iveson, K. (2011). Art and crime (and other things besides … ): Conceptualising graffiti in the city. Geography Compass, 5(3), 128-143.
Mettler, M. L. (2012). Graffiti museum: A first amendment argument for protecting uncommissioned art on private property. Michigan Law Review, 111(2), 249-281.
Powers, L. A. (1996). Whatever happened to the graffiti art movement? Journal of Popular Culture, 29(4), 137-142.
Reso, E. (2004). Straight lines: A ten year graffiti-art dialog. Aschaffenburg, Germany: Gingko Press.
Schacter, R. (2015). Graffiti and street art as ornament. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 141-157). Routledge.
Siber, M. (2005). Visual literacy in the public space. Visual Communication, 4(1), 5-20.
Stewart, S. (1987). Ceci Tuere Cela: Graffiti as crime and art. In J. Fekete (Ed.), Life after postmodernism: Essays on value and culture (pp. 161-178). New York: St. Martin's Press.

塗鴉與商業、廣告
Alvelos, H. (2004). The desert of imagination in the city of signs: Cultural implications of sponsored transgression and branded graffiti. In J. Ferrell, K. Hayward, W. Morrison, & M. Presdee (Eds.), Cultural Criminology Unleashed (pp. 181-191).
Borghini, S., Visconti, L. M., Anderson, L., & Sherry, J., John F. (2010). Symbiotic Postures of Commercial Advertising and Street Art. Journal of Advertising, 39(3), 113-126. doi:10.2753/JOA0091-3367390308
Cronin, A. M. (2008). Urban space and entrepreneurial property relations: Resistance and the vernacular of outdoor advertising and graffiti. In A. M. Cronin & K. Hetherington (Eds.), Consuming the entrepreneurial city: Image, memory, spectacle (pp. 65-84). New York: Routledge.
Gonçalves, K., & M. Milani, T. (2022). Street art/art in the street – semiotics, politics, economy. Social Semiotics, 32(4), 425-443. https://doi.org/doi.org/10.1080/10350330.2022.2114724
Jacobson, M. (2017). Marketing with graffiti. SAUC - Street Art and Urban Creativity, 3(2), 104-111. https://doi.org/doi.org/10.25765/sauc.v3i2.86
Mish, B. (2015). Urban entrepreneur: Street art. Scobre Press.
Wells, M. M. (2015). Graffiti, street art, and the evolution of the art market. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 464-474). Routledge.

塗鴉與嘻哈
Hager, S. (1984). Hip hop: The illustrated history of break dancing, rap music, and graffiti.
Shomari, H. A. (1995). From the underground: Hiphop culture as an agent of social change. Fanwood, NJ: X-Factor.

街頭塗鴉與性別
Chung, S. K., & Li, D. (2019). Sexism in hip-hop culture: Exploitation of sexism by graffiti female artists. 國際學術教育學刊, 17(2), 44-65.
Davey, G. B. (2007). Women who write on walls: Women's graffiti in Australia. Burwood East, Victoria, Australia: The Author.
Ganz, N. (2006). Graffiti woman. New York: Thames & Hudson.
Gentry, E. (2008). Girl's night out: Female graffiti artists in a gendered city. Unpublished master's thesis, Graduate College of Bowling Green State University.
Lombard, K.-J. (2013). Men against the wall: Graffiti(ed) masculinities. Journal of Men's Studies, 21(2), 178-190. doi: 10.3149/jms.2102.178
Macdonald, N. (2001). The graffiti subculture: Youth, masculinity and identity in London and New York. New York: Palgrave.
Macdonald, N. (2015). Something for the boys? Exploring the changing gender dynamics of the graffiti subculture. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 183-193). Routledge.
Milnor, K. (2005). Gendering ghetto and gallery in the graffiti art movement, 1977-1986. In L. Dowler, J. Carubia & B. Szczygiel (Eds.), Gender and landscape: Renegotiating morality and space (pp. 269-281). New York: Routledge.
Monto, M. A., Machalek, J., & Anderson, T. L. (2012). Boys doing art: The construction of outlaw masculinity in a Portland, Oregon, graffiti crew. Journal of Contemporary Ethnography, 42(3), 259-290.
Pabón, J. N. (2015). Ways of being seen: Gender and the writing on the wall. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 78-91). Routledge.
Pabón-Colón, J. N. (2018). Graffiti grrlz: Performing feminism in the Hip Hop diaspora. New York: New York University Press.
Parisi, V. (2015). The Sex of Graffiti Urban art, women and “gender perception”. SAUC - Street Art and Urban Creativity, 1(1), 53-62. https://doi.org/doi.org/10.25765/sauc.v1i1.17
Pinto, S. (2020). Why can´t Banksy be a woman? SAUC - Street Art and Urban Creativity, 6(2), 6-11. https://doi.org/doi.org/10.25765/sauc.v6i2.234
Riviere, M., & Austin, J. (2001). Graffiti. In M. Forman-Brunell (Ed.), Girlhood in America: An encyclopedia (pp. 342-350). Santa Barbara, CA: ABC-CLIO.
Zojaji, N. (2021). (Un)making femininity on the walls of Tehran. SAUC - Street Art and Urban Creativity, 7(2), 34-47. https://doi.org/doi.org/10.25765/sauc.v7i2.457
楊佩燁（2007）<性別與青少年塗鴉行為之關係>。《犯罪與刑事司法研究》，8，53-91。
楊佩燁（2006）青少年塗鴉行為之性別差異研究。國立台北大學犯罪學研究所碩士論文。
盧穎（2016）<塗鴉中的性別建構與女性塗鴉客的參與>。《議藝份子》，27，85-99。

文化惡搞
Billboard Liberation Front and Friends (1990). The art and science of billboard improvement. San Francisco: Los Cabrones Press.

網路 Internet
Avramidis, K., & Drakopoulou, K. (2015). Moving from urban to virtual spaces and back: Learning in/from signature graffiti subculture. In P. Jandrić & D. Boras (Eds.), Critical learning in digital networks (pp. 133-160). Springer International.
Brita, T. D. (2020). The disappearance/virtualisation of graffiti and street art. SAUC - Street Art and Urban Creativity, 5(2), 6-17. https://doi.org/doi.org/10.25765/sauc.v5i2.168
Cardoso, M. d. L. N. (2017). Graffiti or “getting–up”. SAUC - Street Art and Urban Creativity, 3(2), 84-89. https://doi.org/doi.org/10.25765/sauc.v3i2.83
Glaser, K. (2015). The ‘place to be’ for atreet art nowadays is no Longer the street, it´s the internet. SAUC - Street Art and Urban Creativity, 1(2), 6-13. https://doi.org/doi.org/10.25765/sauc.v1i2.23

塗鴉方法技術工具
Atlanta, A. (1988). Wild style: Graffiti painting. In A. McRobbie (Ed.), Zoot-suits and second-hand dresses: An anthology of fashion and music (pp. 156-168). Winchester, MA: Unwin Hyman.
Craveiro, R. (2017). The influence of graffiti writing in contemporary typography. SAUC - Street Art and Urban Creativity, 3(2), 65-83. https://doi.org/doi.org/10.25765/sauc.v3i2.82
Edwards-Vandenhoek, S. (2017). Reading between the [plot] lines: Framing graffiti as multimodal practice. In K. Avramidis & M. Tsilimpounidi (Eds.), Graffiti and street art: Reading, writing and representing the city (pp. 54-70). Routledge.
Ganter, C. (2013). Graffiti school: A student guide with teacher's manual. Thames & Hudson.
Garcia, L. (2018). Image versus writing. SAUC - Street Art and Urban Creativity, 4(1), 130-136. https://doi.org/doi.org/10.25765/sauc.v4i1.133
Graffiti Diplomacy. (2012). Learn to draw a graffiti master-piece. The Author.
Hilmer, C. (2018). The evolution of Halls of Fame in graffiti writing and my run to a masterpiece. SAUC - Street Art and Urban Creativity, 4(1), 113-121. https://doi.org/doi.org/10.25765/sauc.v4i1.130
Lee, J. (2007). Street scene: How to draw graffiti-style. Impact Books.
Malt, F.（2012）《如何創作塗鴉藝術》。上海人民美術出版社。
Martinez, S. (2009). GRAFF: The art & technique of graffiti. New York: Impact.
Miller, I. (1994). Piecing: The dynamics of style. Calligraphy Review, 11(1), 20-33.
Neocha (2022.05.03). Tagging along: A brief history of Chinese-language graffiti. The China Project. https://thechinaproject.com/2022/05/03/tagging-along/
Schorr, B. (2019). No tags. No masterpieces. Street Art and Urban Creativity, 4(1), 122-127. https://doi.org/doi.org/10.25765/sauc.v4i1.131
Snyder, G. J. (2017). Long live the tag: Representing the foundations of graffiti. In K. Avramidis & M. Tsilimpounidi (Eds.), Graffiti and street art: Reading, writing and representing the city (pp. 264-274). Routledge.
Lee, J. (2006). Talk back: The bubble project. New York: Mark Batty.
Zubiaurre, M. (2018). Litter and the urban imaginary: On chewing gum and street art. In C. Lindner & M. Meissner (Eds.), The Routledge companion to urban imaginaries (pp. 64-75). New York: Routledge.
Drooker, E. (1998). Street posters and ballads. New York: Seven Stories Press.
Cooper, M. (2008). Going postal. New York: Mark Batty.
MacPhee, J. (2004). Stencil pirates. New York: Soft Skull Press.
Manco, T. (2002). Stencil graffiti. New York: Thames & Hudson.
Philipps, A. (2015). Defining visual street art: In contrast to political stencils. Visual Anthropology, 28, 51-66.
丁肇辰（2003）紙模塗鴉。Egg Magazine，1，204-207。
Combs, D. & Combs, H. (2007). Peel: The art of the sticker. Mark Batty.
Dorrian, M., Farrelly, L., & Recchia, D. (Eds.). (2002). Stick'em up. London: Internos Books.
Walde, C. (2007). Sticker city: Paper graffiti art. New York: Thames & Hudson.

研究方法/教學
Andron, S. (2017). Interviewing walls: Towards a method of reading hybrid surface inscriptions. In K. Avramidis & M. Tsilimpounidi (Eds.), Graffiti and street art: Reading, writing and representing the city (pp. 71-88). Routledge.
Bloch, S. (2018). Place-based elicitation: Interviewing graffiti writers at the scene of the crime. Journal of Contemporary Ethnography, 47(2), 171-198. https://doi.org/doi.org/10.1177/0891241616639640
Boscaino, M. (2021). Developing a qualitative approach to the study of the street art world. SAUC - Street Art and Urban Creativity, 7(2), 8-25. https://doi.org/doi.org/10.25765/sauc.v7i2.473
de la Iglesia, M. (2015). Towards the scholarly documentation of street art. SAUC - Street Art and Urban Creativity, 1(1), 40-49. https://doi.org/doi.org/10.25765/sauc.v1i1.15
Graf, A. M. (2018). Facets of graffiti art and street art documentation online: A domain and content analysis. Unpublished doctoral dissertation, University of Wisconsin-Milwaukee.
Ross, J. I., Bengtsen, P., Lennon, J. F., Phillips, S., & Wilson, J. Z. (2017). In search of academic legitimacy: The current state of scholarship on graffiti and street art. The Social Science Journal, 54(4), 411-419. https://doi.org/10.1016/j.soscij.2017.08.004
Ross, J. I., & Lennon, J. (2018). Teaching about graffiti and street art to undergraduate students at U.S. Universities: Confronting challenges and seizing opportunities. Journal of Interdisciplinary Studies in Education, 6(2).
Djukic, N. (2020). Graffiti and visual anthropology of the city. Journal of Liberal Arts and Humanities, 2(2), 11-14. https://doi.org/10.48150/jlah.v2no2.2021.a2
Sarmento, C. (2020). Methodological proposals and critical responses for the study of graffiti and street art: The project StreetArtCEI. Street Art and Urban Creativity, 6(2), 24-47.

其他
Aronson, M. (1998). Art attack: A short cultural history of the avant-garde. New York: Clarion Books.
Batey, R. (1981). Electoral graffiti: The right to write-in. Nova Law Journal, 5(2), 201-220.
Bhasin, A. (2017). Negotiating the tangible and the intangible: A case for street art festivals. SAUC - Street Art and Urban Creativity, 3(1), 20-25. https://doi.org/doi.org/10.25765/sauc.v3i1.59
Bonadio, E. (2018). Graffiti, street art and copyright. SAUC - Street Art and Urban Creativity, 4(1), 76-81. https://doi.org/doi.org/10.25765/sauc.v4i1.123
Schwender, D. D. (2015). Does copyright law protect graffiti and street art? In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 452-463). Routledge.
camden noir (Ed.). (2009). Label 228: A street art project. New York: Soft Skull Press.
De Feo, M. (2004). Alphabet city: Out on the streets. Corte Madera, CA: Gingko Press.
Elliott, A., & Frazer, R. (2012). Crap graffiti. London: Ebury Press.
Gröndahl, M. (2009). Gaza Graffiti: Messages of love and politics. Cairo: American University in Cairo Press.
Howorth, L. (1989). Graffiti. In T. M. Inge (Ed.), Handbook of American popular culture (2nd ed., pp. 549-565). New York: Greenwood Press.
MacDowall, L. (2006). In praise of 70K: Cultural heritage and graffiti style. Continuum: Journal of Media & Cultural Studies, 20(4), 471-484.
MaClaim. (2006). Ma'Claim: Finest photorealistic graffiti. Mainaschaff, Germany: Publikat.
Madden, I. B. (2006). Tattooed walls. Jackson: University Press of Mississippi.
McGee, B., Sarica, F., & Chenven, K. (2007). Dumbo: Acts of vandalism and stories of love. Bologna, Italy: Damiani.
Novak, D. (2017). Historical dissemination of graffiti art. SAUC - Street Art and Urban Creativity, 3(1), 29-42. https://doi.org/doi.org/10.25765/sauc.v3i1.61
Pinto, S. (2017). The wall is dead, short live graffiti and street art! SAUC - Street Art and Urban Creativity, 3(1), 62-72. https://doi.org/doi.org/10.25765/sauc.v3i1.64
Reid, L., & Downey, B. (2008). The adventures of Darius and Downey & other true tales of street art as told to Ed Zipco. New York: Thames & Hudson.
Riggle, N. A. (2010). Street art: The transfiguration of the commonplaces. The Journal of Aesthetics and Art Criticism, 68(3), 243-257.
Rivera, J. (2008). Vandal squad: Inside the New York City Transit Police Department, 1984-2004. New York: power-House Books.（警察，清除塗鴉）
Whitford, M. J. (1992). Getting rid of graffiti. New York: E & FN Spon.
Ross, J. I. (2015). Graffiti goes to the movies: American fictional films featuring graffiti artists/writers and themes. Contemporary Justice Review, 18(3), 366-383. https://doi.org/doi.org/10.1080/10282580.2015.1057677
Ross, J. I. (2015). How American movies depict graffiti and street art. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 429-439). Routledge.
Varnedoe, K. & Gopnik, A. (1991). High & low. Modern art. Popular culture. NY: Museum of Modern Art, Oct. 1990-Jan. 1991.
賴漢照（2006）塗鴉藝術應用於中國圖文之創作研究。國立台灣師範大學設計研究所碩士論文。

 
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